Veronica Reyes Veronica Reyes

Speaking Class 7: Storytelling
B1-B2 level

Description

In this lesson, students will learn how to use sequencing, detail, emphasis, reactions, and natural conversational language so that people actually want to listen.

Materials

No materials added to this plan yet.

Main Aims

  • To provide fluency speaking practice in a conversation in the context of telling stories

Subsidiary Aims

  • Tell a personal story with a clear beginning, middle, and ending.
  • Organize past events naturally.
  • Use details to make stories more interesting.
  • Use appropriate past tenses while speaking.
  • Incorporate reactions and emotions.
  • Maintain the listener's attention.
  • Respond naturally to questions about their experiences.

Procedure

Pre-Activities (5-8 minutes) • To set lesson context

Rather than doing a full grammar lesson, briefly review the language they'll need. Setting the scene This happened when... A few years ago... I remember this one time when... I was working/living/traveling... It all started when... Moving the story forward At first... A few minutes later... All of a sudden... The next thing I knew... Eventually... Meanwhile... By the time... In the end... Making it interesting You'll never believe what happened next. I had no idea that... That's when things got interesting. To make matters worse... Luckily... Unfortunately... It turned out that... Showing reactions I couldn't believe it. I was freaking out. I had no idea what to do. I was so embarrassed. I couldn't stop laughing. I was completely shocked. I was relieved.

Warmer/Lead-in (8-10 minutes) • To set lesson context and engage students

Start telling a story: "Last Saturday, I was getting ready to leave my house when I opened the door and saw something I definitely wasn't expecting..." Choose a student to continue for about 20–30 seconds. Then say: "Switch!" Another student must immediately continue the story. Keep going until everyone has contributed. The last student has to create an ending. The stranger and more ridiculous the story becomes, the better. Rule Students cannot reject what the previous speaker said. They have to incorporate it into the story. This forces them to listen and improvise.

Exposure (8-10 minutes) • To provide a model of production expected in coming tasks through reading/listening

Ask students first: "What makes someone a good storyteller?" Collect their ideas. Then introduce five basic storytelling ingredients: 1. SETTING Where? When? Who? 2. PROBLEM Something unexpected happens. 3. DETAILS What did you see, hear, think, or feel? 4. TURNING POINT What was the big moment? 5. ENDING What happened? What did you learn? Give them this simple structure: SET THE SCENE → BUILD THE STORY → SOMETHING HAPPENS → REACTION → ENDING

Make This Story Better! (13-15 minutes) • To highlight and clarify useful language for coming productive tasks

Give students a deliberately terrible story: "Last year I went on vacation. I went to the airport. I forgot my passport. I went home. I got it. I went back to the airport. I missed my flight. I was sad." Ask: "What's wrong with this story?" They'll probably identify: Not enough details Repetitive language No suspense No emotion Too many sentences starting with I Boring ending Team Challenge In groups, students have 5 minutes to transform it into an interesting story. For example: "Last year, I was supposed to fly to Cancún with three friends. Our flight was at 7 a.m., so I was already exhausted..." Have two or three groups tell their improved versions.

Productive Task(s) (35-40 minutes) • To provide an opportunity to practice target productive skills

Now move into personal stories. Put students in groups of 3–4. Give them the six categories: Tell us about... 1. A mistake you made Something went wrong because of something you did. 2. An embarrassing moment Something you can laugh about now. 3. Your first day at work What do you remember? How did you feel? 4. A difficult decision What options did you have? What did you choose? 5. A funny client Without sharing confidential or identifying information, tell us about a memorable interaction. 6. A scary experience Something that genuinely scared or worried you. Students choose one. Preparation – 3 minutes They can write keywords, but not complete sentences. Have them organize their notes: Where/When → What was happening → Problem → What happened next → Reaction → Ending Then each student has approximately 2–3 minutes to tell their story. The Listener's Job This is important. The other students aren't allowed to simply listen silently. After each story, they must ask at least two follow-up questions. Examples: What happened after that? What were you thinking? What did the other person say? Would you do the same thing again? How did everyone react? Did you tell anyone? What did you learn from it? This turns storytelling into actual conversation. Plot Twist! Now remove preparation completely. Students pick a random prompt and have 10 seconds to think. Examples: The worst trip I've ever had... A time I got lost... Something I believed as a child... The strangest thing I've ever eaten... A time I couldn't stop laughing... An unexpected surprise... A time my plan completely failed... A moment I'll never forget... A time I misunderstood someone... The luckiest thing that's happened to me... They have one minute to tell the story. This gives you a nice contrast between prepared storytelling and spontaneous storytelling.

Feedback and Error Correction (8-10 minutes) • To provide feedback on students' production and use of language

Students anonymously vote for categories such as: 🏆 Most Entertaining Story 🏆 Best Storyteller 🏆 Best Plot Twist 🏆 Funniest Story 🏆 Most Unexpected Ending The goal isn't grammatical perfection; it's effective communication. Finish by asking: What made someone's story interesting? Was it easier to tell the prepared or spontaneous story? What storytelling technique did you use? What would you change if you told your story again? Teacher Observation Since you already have baseline speaking evidence from Class 1, I wouldn't formally grade this class. Instead, use it as a progress checkpoint. Pay particular attention to: Skill Observe Fluency Can they maintain speech without excessive pauses? Organization Can the listener easily follow the story? Past-tense control Do they narrate past events accurately? Vocabulary Do they use varied descriptive language? Engagement Do they make the story interesting? Interaction Can they answer unexpected follow-up questions?

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